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American Independence Is Sooo Fashionable…

The Met Gala is back! Last night celebs threw masks aside (well, until they got inside the venue), brandished vaccination cards like red-soled stilettos and showed the world that glamour is highly contagious.

The theme this year was MAerican Independence. As always, what that means was up to interprestation. Of cpurse, certain looks just made sense.

Debbie Harry rocking the red white and blue

In a more subtle vein, you had folks who took the cue of inspiration from famous American figures. Blunt, above, referenced film star Hedy Lamar. Chloe and Halley Bailey, below, said they were tryingto channel a little Grace Kelly and Tina Turner. While I see Tina’s influence more than Grace’s for sure, I think Chloe’s look was more Met gala, while Halley’s would’ve been better for the MTV awards the night before.

One of my fave references, however, had to be explained to me, and now I am here for it.

YouTuber Nikkie de Jager, above, paid homage to queer icon Marsha P Johnson, who was famously quoted as saying “pay it no mind” when asked about her sexual identity. What a lovely tribute — and a huge example of the floral trend so prevalent last night! Others who looked like they might have bees on their heels:

But you don’t need flowers to stand out. Super-saturated shades are very in this fall, and these stars showed us how to do it:

But never count and the classics. Before they were stars in color, Americans revelled in the glamorous world of black and white:

One of the trends for sure was nudity — both in fabric and hues. Some women pulled off the sheer looks well. Others, maybe not so much.

Neutral, subtle colors showed you don’t need to scream sexy all the time:

But metallics shine bright, and say so much:

Speaking of saying something, What’s more American than a statement? We all know stars like to use their celebrity to shout their platforms from the rooftops (and, as I’ve said before, I’d do the same if I was in their Louboutins). So why not use your clothes for that purpose?

To take another view of it, to many America has always been about the cowboys of the wild west. So there were plenty of looks inspired by the gunslingers of old. Fringe worked for some (like the first two looks below), but for others? Not so much.

Denim is about the coolest, most American fabric ever. I kinda dig Ben Patt’s 70s style Canadian tuxedo. But Leon Bridges looks like he grabbed his at a Texas truck stop.

Lupita Nyong’o slayed her denim look:

Then there were the cowboys…

And the horse they rode in on:

Kim Petras

I loved this!

But let’s be honest: we weren’t here first. And rising superstar Indigenous model Quannah Chasinghorse showed many people that she deserved a place on those carpeted steps way before the land under them was sold for a handful of beads.

Message and import aside, there were, quite simply, a lot of pretty looks. Many were worn by the men. Some went old school classic:

Some took the suiting world up a notch:

Some did a tux with a twist:

And still others embraced the exploding men’s fashion world by storm with creativity and showmanship:

Lil NasX pulled a Gaga, and unveiled successively slimmer looks as he strolled down the carpet:

Which couples stood out to me, for better or for worse? Take a look.

Of course, some folks may have come singly, but if their dominatrix looks had anything to say about it, they weren’t going home that way.

Kim Kardashian

Props were utilized to make a statement as well, from message purses to masks, to, well, dolls.

And for some fashion divas, the whole outfit was a prop.

Iman

But to me, nothing says a glamorous gala like a train. Don’t let your fashion hit ya in the caboose!

As always on these fashion posts, I gotta end with my biggest fave of the night. Billie Eilish embraced Marilyn Monroe and the American way: being herself. This incredible young woman has worn her looks the way she wanted, and didn’t want to show off her sexy side the way the world expects curvy beauties to do until it was on her own terms. And what were her terms? She told Oscar de la Renta that she would wear their dress, if they stopped selling fur. ANd they agreed. That is American Independence personified.

You go girl.

I’m Ready for (watching) the Red Carpet!

FILE – In this Feb. 21, 2015 file photo, an Oscar statue appears outside the Dolby Theatre for the 87th Academy Awards in Los Angeles. The 93rd Oscars will be held on April 25. (Photo by Matt Sayles/Invision/AP, File)

Silver lining from the pandemic: every Oscar nominated movie I tried to see was available for me to watch from my couch.

Don’t get me wrong: I desperately miss going to the movies. I hope to feel comfortable with that again soon, but I’m just not there yet. So yeah, while I had to shell out $20 to stream a flick sometimes, I figure it’s not that bad. During a normal movie watching season, I am in theaters 2-3 times a week at the end, trying to ignore the popcorn, maybe smuggling in my own water. But there is always gas, and time. So over all I feel I have saved cash, and have probably seen more movies than usual.

But now I am ready for the glamour and glitz. Below I will give my predictions as always (what I liked best plus who I think will win) in the major categories. I am also going to give some fashion predictions along the way. I don’t know if you are aware, but there is a dress code this year, born out of so many zoom awards participants in athleisure. I am torn on the code, as stated on the website The Cut:

“We’re aiming for a fusion of Inspirational and Aspirational,” the letter reads, capitalizing Inspirational and Aspirational for inspirational and aspirational emphasis. “In actual words,” it continues, “Formal is totally cool if you want to go there, but casual is really not.”

I expect at least one star to push this. I’d love to see joggers with a bustier, Christian Louboutins, and a cutaway coat with train (Zendaya could rock this, but I think she’ll go full on glam). But on the whole, I like the request to zhush it up. In solidarity, I will wear sparkly gems with my jammies. Maybe. But no promises on a bra. Let’s not go crazy.

And the winners will (maybe) be…

Best Picture (saw them all)

Nomadland continues to be the frontrunner, and will likely win. Every picture nominated is very different. My faves for this category are probably The Father and Judas and the Black Messiah. But I think this category tends to go to films that are not all about the acting performances, which those two films really were. Nomadland is message driven, with both sweeping panoramas and detail driven scenes, and has an overall best film vibe. Going with that theme, I also think Minari would fit, but I am going with Nomadland.

Best Director (haven’t seen Another Round yet): will be Chloe Zhao for Nomadland. She is just slaying all the awards this year, and deservedly so. She manages to get all of her actors to be fully fleshed out no matter how tiny their roles.

Fashion aside: I am looking forward to seeing Emerald Fennell! I fell in love with her in Call the Midwife, and she was wonderful in The Crown. She has such great coloring — I want to see her in something green, which is very much a trend color, and hard to pull off.

Best Adapted Screenplay (haven’t seen Borat, and have no desire to do so, TBH): I loved The Father in this category. I assume all of the films are adapted from books, except One Night in Miami which feels like a play. I don’t like when films feel like plays: it means that they weren’t very well adapted, IMO). The Father is just so well done. I can see how this was a book, and I would love to read it.

Best Original Screenplay (saw them all): this is tough. All are great premises. The ones based on history (Judas and The Trial of the Chicago Seven) don’t get my vote simply because, since they are based on real events, they’re not as “original” to me. I personally think the most original concept was Sound of Metal (please see this if you haven’t yet), but the momentum is there for Promising Young Woman (and I think Hollywood digs Emerald Fennell right now).

Best Actor (seen them all): We all know Chadwick Bozeman will win this. Like Heath Ledger, it’s fortunate that his last role was an excellent one. His talent will be missed. That said, I loved Riz Ahmed in Sound of Metal! Watching a heavy metal drummer come to terms with losing his hearing, and still maintaining his sobriety, was breathtaking. Anthony Hopkins was brilliant as well (duh), with a finely nuanced performance as a man struggling with dementia (yes, I cried, and thought of my dad).

Fashion aside: the men have turned it up so hard in the past year! I hope Ahmed shows a little bit of metal edge. Hopkins and Gary Oldman will likely stay old school, which is fine. Steven Yeun is a wild card, but I assume he will be understated.

Best Supporting Actor: this one is a toughie. They were all good, of course, but no one actor stands out as that much better than the rest. I’m going to go with Daniel Kaluuya for Judas, as he has been picking up awards all season.

Fashion aside: this category will BRING.IT. I’m picturing colors and brocades and metallics. And I am here for it!

Best Actress: collective wisdom says Frances McDormand, and I wouldn’t be angry if she won. But I feel like she has played this before. Viola Davis is a good, solid choice, but I didn’t love this role. Maybe I just didn’t love Ma Rainey? My fave performance of the bunch was Carey Mulligan in Promising Young Woman. Twisted, sad, smart, broken, vengeful. What more could you want in a date? So I’d like her to win, but am leaning towards Davis right now. Ask me in an hour.

Fashion aside: I hope McDormand wears Birkenstocks again. David will be stunning in something tight, architectural and brightly colored. I want sex appeal from Vanessa Kirby and frothy fun from Mulligan!

Best Supporting Actress: (didn’t see Borat or Hillbilly Elegy, which got wretched reviews): While I personally loved Olivia Colman in The Father, I think Yuh-Jung Youn will win for Minari. And she earned it for sure!

Fashion aside: Amanda Seyfried will be lovely. Olivia Colman can go either way, but I hope she pulls it off with some regal, deeply colored creation. I would love to see something dramatically elegant on Youn! Maria Bakalova could be stunning, but she might be the one to push the taste envelope. I don’t know whay I say that, but I feel it.

Best Cinematography (saw them all): News of the World was almost my favorite in this category, although sometimes teh green screen action seemed pretty obvious. But Hollywood does loves it’s sweeping westerns. Nomadland could win, though, and has more momentum than this overdone Tom Hanks film (that movie tried to fit too much in. Too bad. Was a good story). So I think it’s gonna be Nomadland. You see and feel every season in this film.

Best Costume Design (didn’t see Pinnochio): I’m a sucker for a period piece, so I am hoping it’s Emma, with its delicious colors.

Fashion aside: Please, let Anya-Taylor Joy be at the Oscars, just so I can see her. She is gorgeous, and makes such wonderful fashion choices.

Best Film Editing (seen them all): Either The Father or Sound of Metal, but I am leaning towards The Father. The editing makes this movie.

All the rest, even though I have seen none or very few of the movies, but I like to have a guess for all:

Best Animated Feature: Soul

Best Documentary Feature: My Octopus Teacher

Best Documentary Short: A Concerto is a Conversation

Best International Feature Film: Another Round

Best makeup and Hairstyling: HIllbilly Elegy

Best Original Score: Soul

Best Original Song: One Night in Miami

Best Production design: The Father

Best Short, Animated: If Anything Happens I Love You

Best Short, Live Action: The Letter Room

Best Sound: Sound of Metal

Best Visual Effects: Tenet

Fashion aside: there will be a lot of florals tonight, on men and women. I want to see risks (I miss Cher). I want glamour and color. I want to gasp. I want to see people fall flat on their faces for trying something daring — not because they had crappy tailoring or accessorizing.

People, you’ve had 12 months of zoom calls in sweatpants. We are all over it. Y’all better bring it.

Fashion is Back

I don’t know about you, but I miss dressing up. Mind you. my body definitely looks like I have spent the past 12 months wearing sweatpants and binging every BBC series I could find, but my shoes still fit. And I am ready to dust off the Spanks and get fancy again, even if it means ballgowns in the produce aisles (with a bedazzled mask, of course).

The stars are ready, too, if the award shows of the past week are any indication. I haven’t seen many of the movies on everyone’s ballots, but I am getting there. In the mean time, I’ll ooh and ah and raise an eyebrow or two at the fashions, zoomed and in person, twinkling at me from my computer screen.

Both the Golden Globes and the Critics’ Choice awards happened in the past week. As always, I loved some looks, hated others, and my opinions don’t matter. But it sure is fun!

A lot of women chose dresses for one ceremony, then felt pants were more suited to the next occasion.

Kaley Cuoco went from ultra fem, to sparkly manly. I love both looks equally!

Angela Basset: two looks, same closet. Neither is that unique, but I like the tux better, as the other one had too much going on with the braid and the feathers. Plus: I really want a sequin tux in my OWN closet!

Unlike the critics, I hated the white dress (almost no one looks good in those drop waist numbers). The second look is the bomb, Andra Day.

Gal Godot looks wonderful in both looks, but the white dress could’ve been worn out to dinner. The ruffled jumpsuit is such a perfect combination of feminine flounce and tailored menswear, it’s hard to beat. I would look like Reddi-Whip had exploded on me if I had tried to pull it off, but she does it Justice (out of my League, lol).

Amanda Seyfried and Kaley Cuoco may have called each other. “Girl, let’s be old school Hollywood glam for the Globes, then look like 1920s Vaudeville magicians at the Critics Choice Awards.” And they both pulled it off. For this lineup, the tux is absolutely tops — chandelier crystals and all. If I ever get back to Vegas, I would love to wear this!

As for Kyra Sedgwick: I also prefer the pants outfit (although I love the mustard color on the dress). The satin is so glam.

I don’t know if you can call the black number a dress, but it feels different enough from the floral look to fit this category. O’Hara reminds us that women who reach a certain age figure out what they like, and what works for them, and they stick with it. And rather than looking like a boring uniform, it works. I wanna be her when I grow up!

It seems many women chose the pants route, and I am here for it.

Before we get away from pants, let’s check out some of the best-dressed men of the nights, IMO.

I’ve had a thing for Josh O’Connor since The Durrels in Corfu (haven’t seen it? You should!). He’s clearly comfortable showing far more style than his The Crown alter ego ever would!

Other masculine highlights:

Every season there are color themes. Red is often a tough one to wear on a carpet of the same hue, but when you are zooming, you can stand on whatever color you want. Here are some of the crimson crew.

I’m not sure which was my fave. I love Rosamund Pike (combat boots and tulle? Yes, please) and Daisy Edgar (the sleeves, the neckline, the hemline!). The least successful of this bunch was definitely Maya Rudolph. Nothing about this looks well done — the seam down the middle? Makes it look like a home ec project. If you want to be loose and comfy, that’s fine. But even a slight dip in the neckline would have given her more shape.

Perhaps my least favorite look of the week was Bryce Dallas Howard.

Her bra was bad. Her hair was pulled back too tight. The light color by her face was unflattering. She just looked uncomfortable. Maybe if the ombre had started at her waist?

Wanna see women who loved the way they looked? Check out Viola Davis and Regina King!

I love it when women go out on a fashion limb. Julia Gardner, Emma Corrin and Cynthia Erivo are a new generation of fashion risk takers, channeling the haute couture example of women like Cate Blanchett, Sarah Paulson and Tilda Swinton.

Speaking of Paulson…

I mean, even her cast looks cool.

Black and white are always common awards show themes.

Some of those may not have been exactly black or white, but that’s okay. Navy and cream count (it’s my blog).

Bold color will always have my heart, even if the style isn’t always the greatest (I’m looking at you, Kristen Wiig).

Anya Taylor-Joy is someone to watch, both on screen and on the carpet. She is stunning and quirky and I can’t take my eyes off her.

I 100% prefer the green look. It is sumptuous! The purple one reminds me of some old school lingerie. I am not sure I love the bodice (not nearly as flattering as the green one), but kudos to her for taking the risk. Please take more!

I’ll end with three of my favorite looks.

First, Gillian Anderson.

A far cry from both Scully and Margaret Thatcher!

Susan Kelechi Watson wore the look I wanted to own the most. It’s modern day flapper, with color and movement and shine to die for.

And for completely different reasons, Sandra Oh stole my heart.

You go girl. Or don’t. Stay home and be comfy and cute and awesome.

Lookin’ Good (most of ya, anyway)

 

Starting with the nominated actors, let’s put them in order of least favorite to favorite dressed in each category!

Best Actor:

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Best Actress

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Best Supporting Actor

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Best Supporting Actress

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I was amazed at all the black and white this year!

Speaking of black and white, a few of the men tried to break out of your standard penguin suit:

 

As for the dynamic duos…

 

As you probably know by now, I am a huge fan of color and not a fan of the lack of it…usually. There wasn’t much color last night, except for a strong showing of reds and oranges. Here are a few of the colorful standouts, with a few paler hues that stood out for me.

 

Before we do my favorites and least faves, perhaps my favorite category: the, “I can’t make up my minds” — or the ALMOST Faves

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And now, for my least favorite looks…

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The best looks of the night, IMO:

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Some faces I missed seeing on the red carpet, and would like to see next year: Cate Blanchett, Julianne Moore, Nicole Kidman and Emma Stone! See ya then!

Predictions are a Production

The Academy Awards are tonight!

I managed to see all the best picture nominees and most of the acting ones. Here are my predictions for some of the awards — decorated by fashion splashes not yet discussed during this awards season!

Best Supporting Actor

(Haven’t seen Tom Hanks in A Beautiful Day in the Neighborhood, or Anthony Hopkins in The Two Popes).

Who I liked best: Brad Pitt, Once Upon a Time in Hollywood.  I’ll be honest: this year has changed my opinion of Pitt. I never really paid attention to him before, although he stood out from the generically handsome slew of men in Hollywood in Inglourious Basterds. But this role seems, well, like who he is in real life. And after watching him in this, and in all the interviews and red carpet and award show appearances, he’s kinda hot. He’s sexy to me now, both as a hunka man and as an actor. Hoping for cool stuff from him in the future!

Who will win: Pitt. Easiest vote of the night. And he should have a cool, aw-shucks, ma’am, speech.

Fashions I liked from the BAFTA awards:

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Best Supporting Actress

(haven’t seen Kathy Bates in Ricard Jewell)

Who I liked best: Florence Pugh, Little Women. I have heard some folks say she shouldn’t win because she was so much older than her character in the book, and she was a British woman playing a thoroughly American role. I don’t really care about either of those things — and those were choices made by the casting director, not by her. From the minute we entered the theater, I realized this was a different, thoroughly modern Little Women, and she was perfect. She fleshed out Amy March in a way I’d never seen done before and made her a strong, complex woman, not just a spoiled brat.

Who will win: Laura Dern, Marriage Story. She was good, don’t get me wrong, but Best? Nah.

Fashions I didn’t like from the BAFTAs:

Best Actor:

(Haven’t seen Antonio Banderas in Pain and Glory or Jonathon Pryce in The Two Popes)

Who I liked best: Joaquin Phoenix in The Joker. He completely embodied the character and made him sympathetic. His performance gave dimension to an almost comical villain, and the film is more of a treatise on the plight of the poor and those with mental illness, and how the haves don’t always get what the have nots need or want. Phoenix was sad, and sweet, and gruesome and powerful and beyond impressive.

Who will win: Phoenix. A given.

Fashions I liked at the SAG awards:

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Best Actress:

Who I liked best: So many great performances here! But I have to say Renee Zelwegger as Judy Garland was heart wrenching and lovely. My number two choice would be Scarlett Johansson in Marriage Story. So nuanced! She was so good you could almost forget how stupid beautiful she is.

Who will win: Zellwegger

Fashions I didn’t like from the SAGs:

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Best Director: 

Who I liked best: All 5 deftly handled complex films with lots of different challenges. I wouldn’t be bothered by any of them winning, but I might have to say Bong Joon Ho for Parasite was the most impressive to me, followed by Sam Mendes for 1917.

Who will win: Most likely Mendes — although Hollywood does love itself enough to give it to Quentin Tarantino for Once Upon a Time in Hollywood.

Best Picture:

Which I liked best: I kind of feel like Parasite should win, with 1917 in second place.

Which will win: 1917 — or Once Upon a Time.

My biggest surprise prediction: Billie Eilish will debut her new James Bond song! And I can’t wait!

Time to go get cozy, and watch the show! See you soon!

 

And the Nominees Are…

So my dance card is shaping up for the next several weeks!

Oscar nominations were announced yesterday — of the 9 films nominated for Best Picture, I have seen 4, which is pretty good. I typed up my new “to-do list,” and was able to cross off at least one in each major category:

img_0951

 

My first plan is always to see all the Best Pic noms, then fill out the rest of the major categories. So that’s 11 movies minimum to see before the big show, which is on Feb 9th. This year I really want to attend one of those film fests where they show all the shorts, so gotta start looking for that.

Before I make my plan, I have to see which ones HWSNBN wants to watch with me. I assume he’ll say yes to the Joker, The Two Popes and A Beautiful Day in the Neighborhood. He’d like 1917, but war movies have become very hard for us to watch since Sailor Boy joined the Navy. I’m on the fence as to whether he will want to join me for Marriage Story, Bombshell or Richard Jewell. The rest I know he will say thanks but no thanks, lol!

So if you really want to see one of these, let me know and we’ll get it on the calendar! This week I am focussing on stuff I can see online (new foster puppy, book club weekend, and big Secondhand Hounds event to plan for next week). But starting next week, if you want to find me, you’ll have to look in a darkened theater!

Oh — and as a quick goodbye, here are some looks that caught my eye at the Critics’ Choice Awards last night. Can you guess which ones I liked, and which ones, well, not so much?

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It’s (Fashion) Award Season Again!

It’s Awards Season, which means I will be obsessively doing two things: watching movies and posting about fashion. Today we cover the show that makes me think of boobs: the Golden Globes (really: what were they thinking when they picked that name?).

Before I start sharing pictures and thoughts and snarky comments and envious gushings, I want to remark on something I heard Howard Stern say on his show the other day. Mind you: I literally only heard a couple of sentences, so this is TOTALLy without context. Maybe he said more afterward, but I was rushing between appointments and I only heard this bit, so I can only comment on this.

He said that with very, very few exceptions, the women looked awful at the GGs. He said their stylists were doing them such a disservice by not flattering their bodies. He specifically mentioned that the bodies were hidden in material, that the ones that showed cleavage smashed their breasts in an unflattering way, and that they should have their hair loose, not pulled back, because so many have such gorgeous hair.

Mr stern, I know your job is to be a shock jock. Frankly, until I started listening to you last year, I and the impression that you were a wretched sexist pig. I have since learned to enjoy your show, even if I do skip over certain parts (your interviews are s=awesome — your sidekicks are not my thing). I admire your animal advocacy and your obvious devotion to your wife. But about those comments:

Yeah, lots of the outfits were weird. I agree, and I will call folks on it. And many will disagree with my opinions, which is fine, because they are my opinions, and I am as entitled to them as you are. But I think you miss the point on the red carpet fashion.

The women re not necessarily dressing for you, or for other men. In my heart of hearts, I hope they are dressing for themselves. But I know they are dressing for other women. We do that. It’s why we spend so much time at Sephora when our men say they prefer us without makeup.

Some of the women are just trying to get press. Some are trying to project an image they have or one they want. Their appearances on these shows are more about business and brand than anything else. I will comment on people in this blog I have ever heard of, and that means they have succeeded. In some cases, I googled them, and learned about a project they were a part of, and maybe added it to my watch list.

That means their weird, boob crushing, severe hairstyle worked.

Just like your shock jock persona works for you.

Thanks, Mr. Stern, for letting me vent. Now: on with the fashion show.

Gugu Mbatha-Raw

Gugu Mbatha-Raw

Imma start with this one because it is gold. There ya go. I actually love this, and it ALMOST made my top 3. It’s elegant, but modern at the same time.

I am a big fan of color on the runway, and this year we got splashes all over the place!

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And there was a whole flock of ladies in red — all conducting trains:

On the other end of the spectrum were the ladies who went for classic black and white.

Greta Gerwig and Cynthia Erivo had the same idea: a black column dress with white framing the neck and face. Ervio’s was way better IMO. Gerwig’s severe horizontal neckline, with her tightly pulled back hair, only emphasized her broad shoulders. That may have been what she wanted, but I didn’t like it. Ervio’s, with the glittery movement and nipped waist, made the look more exciting and flattering.

 

Ruffles and bows and wannabe lingerie looks were all over the place as usual. We just can’t get away from the Little House on the Prairie influence. Pity (at least the flesh-colored gowns were absent from the lineup).

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As for the other ruffly bits…

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On the opposite side of the spectrum, we have the ladies who wore pants!

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Let’s turn to the menfolk on the carpet! Men’s fashions are fantastically, fabulously pushing the envelope lately, and I am here for it! From the classic:

To the “in a class by himself”:

Billy Porter

And everywhere in between!

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The couples:

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Before we move on to my faves and least faves, I want to mention two women who were on both lists depending on who was voting, If nothing else, they were very haute couture. Fashion is an art, after all!

My least favorite looks were some people’s favorites (and vice versa).

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The absolute worst was Jennifer Lopez. WTAF??? I included a picture of her from another gala that week, that she should have worn instead.

JLo

Palm Springs International Film Festival Awards Gala, Arrivals, Convention Center, Palm Springs, USA - 02 Jan 2020

Some looks were SO CLOSE. They could have been amazing, but something felt lacking. Is it better to be safe, or to dare? (always dare)

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And my three favorite looks of the Golden Globes were…

Zoe Kravitz

Zoe Kravitz: this is how you mix quirky, formal, creative and classy!

Renee Zellweger

Renee Zellwegger: the color slays, the fit is wonderful, the style is cool

Zoey Deutch

Zoey Deutch: I would wear this out of all the looks. I LOVED IT!!!

 

As a parting gift, here is a slideshow of some of the best and worst looks from the Globes after-parties.  You guess which ones I liked and which ones, well, not so much.

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I didn’t mean to write a third blog post in a row about fashion, but the death of an icon inspired me.

I am not a fashionista by any stretch (see my last post if you need confirmation), but I do love me some clothes. And with Gloria Vanderbilt’s death brought back a strong memory of mine.

My first pair of designer jeans were Gloria Vanderbilt. I vividly remember the day they were purchased: I was at Cartan’s with my mom (does Cartan’s even exist anymore? It was a store that carried things for kids and babies from birth until teen, from cribs to clothes.) I somehow convinced her that I should have the pricey jeans, and I was in awe of the GV triangle logo stamped on my butt.

GV jeans

I agonized on when to wear them. I was torn on wearing them right away or waiting. My “maturity” won out: I chose to wait until Friday. That way, my jeans would be a lasting memory for whoever thought of me over the weekend (is there anything more self-centered than a young teenage girl?).

In hindsight (sorry), no one was looking at my butt. But I treasured the thought that they might. I was realizing the power of fashion, not just to influence others, but, more importantly, to influence the way I felt about myself. As I have matured, I have learned to let that feeling guide my shopping: how do I feel in this outfit? I remember about 10 years ago taking girlfriends with me to buy a gala gown. I ended up getting the dress they liked on me rather than the one that made me feel glamorous and strong and sexy. I still think of that dress as a “one that got away.” When I see that other one in the closet I feel conflicted. I am sure I won’t wear it again.

Gloria Vanderbilt was, of course, way more than a name on a butt. A few years back I read a terrific book about her, written by her son, Anderson Cooper (for my review, go to https://www.goodreads.com/book/show/26072609-the-rainbow-comes-and-goes). I had heard the phrase poor little rich girl but really didn’t understand it until I read this book.  I’d recommend it — it’s a glimpse behind the heavy oak doors of the uber-rich and how money certainly does not guarantee happiness.

But those jeans, and the way they made me feel? That was money well spent on something that made me feel happy — grown up, special, middle-school sexy (as sexy as a flat as a board 12-year-old can feel with braces and badly feathered hair). I like to think that Gloria Vanderbilt, who experienced such dramatic highs and lows over her lifetime, ended up on a high. She was having a renaissance, valued as a talented painter and quite fun to follow on Instagram. And, as a mom, probably quite happy to be known as “Anderson Mom.”

I’ll always remember her as the gal who got me started on the dark and twisted path to fashion.

My kind of Camping

It’s been a few weeks since the annual Met Ball, and I am just about ready to digest the looks. This post will be picture heavy — because, frankly, even my scintillating prose can’t do these looks justice. It’s hard for me to be critical when the whole point is to be outlandish and stand out in a wild, wild way. so I’ll present the evening in categories, and you can make of it what you will (I will, of course, HAVE to make some commentary along the way. Because girl: these looks require reaction like Anna Wintour requires bangs and botox.

Every year the Met Ball, a huge fundraiser for the Metropolitan Museum of Art in NYC, has a theme, and stars and designers and the generally too wealthy have fun with it. It’s like my annual Halloween Spooktacular, but with a waaay bigger budget. This year’s theme was camp. What is camp, exactly? According to Wikipedia, “Camp is an aesthetic style and sensibility that regards something as appealing because of its bad taste and ironic value.” So basically, it’s tacky made cool.

Here are some of the outfits that I personally felt embodied “camp” the best:

 

A particular fave probably surprises you, because it seems so bland. But Lena Waithe and Kerby Jean-Raymond are so cool. The pinstripes on their suits were the lyrics from Diana Ross’s “I’m Coming Out” and Gloria Gaynor’s “I Will Survive.” And you had to love the shout out on the back to all the drag queens who basically invented camp and live it every day!

In some instances, it was the accessories that made the outfit:

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Some themes were simple.

“Bad Prom”

“I forgot my pants”

“I remembered my pants”

 

Disney Princesses and Villains:

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Instead of a theme, per se, some folks chose to focus on color.

Pretty (sometimes) in Pink:

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It ain’t easy being green:

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Ladies in Red:

 

Brighter than the sun yellow:

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Why wear just one color? Taste the rainbow!

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Another three genres sort of overlapped.  First, you had the metallic gals, those who sometimes looked disco-ball glamorous, and sometimes reminded me of what my husband wraps up in after completing a marathon.

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Then there were the warrior princesses, making bad-ass fashion either kick butt or smell like it:

And finally, in the Star Trek guest star category:

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Some outfits were just plain pretty:

And some were just simply costumes:

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Now we musn’t forget the couples, some of who doubled down on the fabulosity:

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And as I have mentioned in other “fashion” posts, men have stepped up their game! Some focused the attention above the belt:

 

While others were power bottoms:

And some were just well suited, whether they be subdued…

 

…or shiny:

 

Some went big pimpin:

Some wanted to make a statement:

And some were flam-blam-glam!

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Then there are the gender benders, who reveled in the opportunity to be stylishly fluid:

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But let’s be honest: one guest OWNED the event. Dear readers, I give you Lady Gaga:

After the event, the party continued. Here are some of my fave after-party looks:

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In case you were wondering, Gucci made the most of the Met Gala outfits at 25, with Ferragamo and Luis Vuitton tied for 2nd at 14. Rounding ot the top five were Thom Brown (12) and Versace (11).

Bradon Maxwell “only” did four. But they were all for Lady Gaga, so he wins.

And so did we!

I think this is the end of fashion posts for a while, simply because the stars are off until the awards seasons kick off again.

Whatever will I find to talk about???

My Awards Show Has a First Name, It’s O-S-C-A-R!

So I watched the Academy Awards, as usual.  Took notes while it was on — and have edited those thoughts with pics and afterthoughts…(the verb tense is usually present, as I typed while I watched. Sorry if that confuses anyone)

What is up with the ruffles, the pink, the HUGE dresses?

 

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Gaga clearly set the trend when she showed up in that periwinkle ball gown to the Golden Globes and the pink feathered gown at Cannes. Hoping she wears something totally different.  A bright, sleek, regal number.

Speaking of sleek…

Clearly, when one wears a slinky dress, the left shoulder look-over is de rigueur. Like all of these dresses — except for the back of the last one. She looks like she has toilet paper stuck to her butt.

Another big trend: gender bending. I noticed the first gal pictured in the slideshow, costume designer Sandy Powell, in the background while someone was interviewing a big star, and just fell in love.  I always think it’s fun to see what the costume designers wear.  They are often so creative — just like their creations.  In this case, Powell’s designs for The Favourite inspired one of the most talked about fashion moments of the night (we’ll chat about that later). Here she looks amazing to me — I would love to wear this look! (BTW: Powell was nominated for both The Favourite and Mary Poppins Returns.  This is the third time she has been nominated doubly in the same year).

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So how did the men look?

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Here are a few other standouts, for better and worse:

 

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The red carpet behind them, the celebs sat down for the show.  After that opening,  I got even more excited to go to see Queen this summer! Watching Glenn Close, Queen Latifah and Javier Bardem sing along was so freaking cool. Best opening monologue ever? Looking at Bradley Cooper’s face, I am guessing he was thinking “I cannot compete with this…”

Non-hosts Amy Pohler, Tina Fey and Maya Rudolph were hilarious. I was wondering how political the show would be, and the second joke of the night was about the border wall. I personally have no problem with folks using their 30 seconds of speech time to speak their mind, but I know it drives tons of people nuts.

The more I look at Tina’s dress the more I love it. And the more I look at Maya’s the more I want to use it to cover a couch.

Best Supporting Actress contenders:

Regina King wins (no surprise there). Her toga dress is masterful, and I think it wins best dressed in this category.  My fave actress in this category, Amy Adams, had a terrific look. The other 3? Two were ok, one was awful. You guess which.

Helen Mirren and Jason Momoa? Yes, please. What a great pairing!

ABC's Coverage Of The 91st Annual Academy Awards – Show

Best Documentary: wow! I was sure RBG would win it! Oh dear: that  — does she know we can see right through her dress? Maybe that’s next year’s documentary feature: fashion gone wrong.

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I’ts interesting seeing who the producers chose to introduce each best picture. Some made sense, like Dana Carvey and Mike Myers for Bohemian Rhapsody. But why did Tom Morello from Rage Against the Machine introducing Vice? Is it because the movie is about the political machine?

Makeup: Vice won — and should have! But man the people who won sucked at giving their acceptance speech.  Buy them some frickin glasses. Their speech made everyone rethink the decision not to do that award during a commercial.

What the actual F. Melissa McCarthy and Bryan Tyree Henry! I am digging these costume collaborations. Not everyone seemed to get the reference, but the outfits were a mashup of all the nominated movies’ costumes. The bunny cape was from The Favourite (remember I mentioned something about that before?) 4708 (1)

J Lo and Chris Evans.  Very pretty people.  Her dress is her way of saying no one can outshine me! Metallic dresses were a theme this year, too:

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Cinematography — Roma‘s first of (I am betting) several wins.

One of my fave lines of the night: Khaleesi (aka Emilia Clarke)  loaning her dragons to RBG. Fantastic!

Serena Williams introducing A Star is Born.  I am thinking these odd airings are a surprisingly successful way to introduce a modern element more relatable for a younger audience.  Good touch.

I SUCKED this year at guessing the winners! Bohemian Rhapsody for sound editing,  It did make great sense.  But I still think a Quiet Place made better sense. But hey I got Roma right for foreign language film!

Bette Midler singing the song from Mary Poppins Returns.  Song was kind of boring.  Doesn’t make me excited to see the movie (the only one I planned to see this week and didn’t get to).

Charlize Theron and Daniel Craig — she could be Bond.

Best Supporting Actor contenders:

— Mahershala Ali won.  A given, really. But why was he supporting, and Viggo lead? I don’t know. Anyway: Maheshala always seems like such a thoughtful, intelligent person. I dug his outfit, too. Not sure if he was my fave in the category fashion wise — they all looked pretty sharp.

Best line of the night: “I can’t believe a movie about menstruation just won an Oscar!”

First Man won for Visual Effects. I should know better than to bet against a space film.  But seriously: Ready Player One had incredible effects!

So now the moment everyone is really waiting for, and it wasn’t an award. Lady Gaga and Bradley Cooper took the stage.  And, I loved how they did the Shallow song.  No intro needed. No fanfare. No upstaging anyone else. Evidently that was Bradley’s idea. The whole thing was planned — including the heat. I mean, they are actors. Do they have chemistry? Of course. But are they an item? No.

Spike Lee wins his first ever Oscar.  One of the few truly political moments, but that’s who he is (I am sure there will be people bitching tomorrow about people preaching from the podium. Yawn.)

So happy that Lady Gaga won for best song! And she was so touched! Love it.

Interesting that Barbra Streisand introduced BlacKkKlansman, not A Star is Born. A little bit more politicking, but lowkey.

Best Actor contenders:

No shock Rami Malek wins best Actor. Didn’t know he was dating his costar from the movie! Ok so here’s why I don’t think Rami Malek should’ve won: his portrayal of Freddy Mercury doesn’t seem like a huge stretch from who he is as a person. He also needed someone straighten his darn tie on the red carpet. best dressed in this category? Viggo Mortenson.

Best Actress contenders:

Emily Coleman wins! She was wonderful, and I love how shocked she is. She seems like such a wonderful person and hilarious. Blowing a raspberry at the teleprompter: genius! A lot of people didn’t like her dress, but I think it was pretty cool.  I think all these nominees looked fantastic.  I am torn between Glenn Close and Lady Gaga for best dressed!

Here comes the original pretty woman, looking stun-NING.

Julia Roberts

Julia Roberts

Best picture…. Green Book! Green Book? Wow! I liked it, but it wasn’t my favorite of all the movies.

The show ends, but the party continues, and so does the fashion! Here are some after-party fashion moments:

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That’s a wrap, folks. Now for me to get caught up on all the stuff on my DVR!

 

 

 

 

 

 

 

 

 

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